Seventy-One

He would have been seventy-one today.

For seventeen years now, I have been learning how to live in a world where he does not physically exist. Seventeen years of birthdays that arrive quietly and leave a heaviness settled deep in my chest. Seventeen years of reaching for a voice that no longer answers back.

Life with my parents was complicated. Hard in ways I did not yet understand. But between the two of them, my father and I found each other. We were alike in a way that destabilized the house.

We would sit wherever the conversation landed and disappear into ideas. History. Religion. Politics. Conspiracy theories. Human nature. We did not skim anything. We took it apart and examined it from every angle. He did not dismiss my questions. He sharpened them. He treated my mind like it mattered.

He made thinking feel powerful. He made curiosity feel like strength instead of defiance. And she could not stand it.

Not because we were similar. But because when we talked, I was the center of his attention. His eyes were on me. His mind was engaged with mine. She could not compete with that depth. And she punished me for it every chance she got.

I looked like him. Sounded like him. Thought like him. But I did not just inherit his mind. I inherited his heart.

He is the reason I care the way I do. The reason I show up for people the way I do. I learned from him that strength is not loud. That leadership does not have to dominate. That giving back is not weakness. It is character.

He had what people call a servant’s heart. He gave without keeping score. He helped without needing applause. He taught me that you take care of people when you can. That you show up. That you build something steadier than yourself. That is where my heart came from.

He had hopes for me. Not rigid demands, but steady hopes. He wanted me educated. He wanted me capable. He wanted me to stand on my own two feet. He wanted to know that if life ever turned hard, I would not collapse into bitterness. He wanted better for me than resentment. Better than entitlement. Better than the kind of anger that corrodes a person from the inside out.

For a short time, I tried to follow the path he imagined. I went to nursing school. It was not my calling. I worried I was disappointing him. But even in that season, something beautiful emerged. I met my best friend there. A friendship so deep she became like a daughter to him too.

I was thirty-three when he died. A month and a half from turning thirty-four. Halfway through my undergrad. After years of detours, I had finally gone back to school. He was proud. I can still hear the pride in his voice when we talked about it. There was relief in him. A quiet satisfaction that I was stepping into my own future.

He never got to see the finish line.

When he died, I did not just lose a father. I lost the one steady presence in the house. The buffer. The stabilizer. The person who absorbed tension before it exploded.

The first year without him felt like walking without skin. The silence was loud. Every decision felt heavier. I wanted to call him constantly. I wanted his voice on the other end telling me I was going to be okay.

Instead, I grieved in a house where grief felt competitive. As though being his wife made her loss more legitimate. She bristled when anyone said I favored him. When anyone acknowledged how close we were. She became angry if people put my grief ahead of hers. For the first year after he was gone, I was not allowed to grieve. When I finally did start grieving, it made her mad, even though she was on the hunt for a new man at that point.

But the truth is, he did not disappear entirely.

I am his genetic legacy. The only child he chose to have. His mind is stitched into mine. The way I analyze. The way I question. The way I refuse easy answers. That is him. And the way I care. The way I serve. The way I give back. That is him too.

And when I trace my life back to its earliest sense of safety, it always leads me to the same place.

Some of my earliest memories where I felt safest are on his motorcycle.

When I was small, he sat me in front of him, between his arms, his hands steady on the handlebars. I could see the road unfolding. I could feel the wind before it hit him. I felt protected without even knowing that word.

Later, when I was older, I rode behind him. My arms around his waist. My helmet against his back. I did not have to think about where we were going. I just held on and trusted him to get us there.

A motorcycle was the first thing he taught me to drive. I could not hold it up. My feet barely touched the ground. But he trusted me anyway.

The first time I laid one down, it was a dirt bike in the sand. I cut the wheel wrong and we went down. I remember the embarrassment more than the fall. I remember looking at him, bracing for disappointment.

He was not disappointed.

He laughed. Checked that I was not hurt. Said all that mattered was that I was okay. Then he helped me back on the bike. That was who he was. My safety mattered more than my mistakes.

Ironically, it was a motorcycle accident that took him from me in 2009. I have not been on one since.

Not because I am afraid. Not because it hurts too much. I just have not met anyone I trust enough to sit behind and hold onto like that. No one whose back feels steady enough. No one whose hands on the handlebars feel like certainty.

Seventeen years later, I still talk to him. In my car. In quiet rooms. Before big decisions. I tell him what I have accomplished. I tell him when I am exhausted. I tell him when I am proud.

Some days I try to remember the exact sound of his voice and it slips away from me. And that loss hurts in a way I cannot fully explain.

I wish he had seen the degrees. The finished undergrad. The graduate work. The letters behind my name. I wish he had watched me cross the stage. I wish he had seen the life I built from the foundation he gave me. The strength it took. The discipline. The survival.

I did not become bitterness. I did not become hate. I did not become entitlement. I became capable.

I hope he would be proud of me. I hope he would look at me now and say, “You did it.”

He would have been seventy-one today.

And I am still his daughter. Still carrying his mind. Still carrying his heart. Still missing his voice. Still wishing I could sit with him one more time and let him tell me I am going to be alright.

© 2026 Wynter Rayne. All rights reserved.

Only Meant to Be Touched

She does not think her struggle is with love itself. She thinks her struggle is with believing she is someone who gets to be chosen.

Not desired. Not appreciated in private moments. Not wanted when it is easy. Chosen in a way that feels steady and unquestioned.

She has never fully seen herself as that woman.

Because of that, she does not ask for much. She does not ask for reassurance when she feels uncertain. She does not ask for clarity when something shifts and she feels it in her body before she can explain it. She does not ask for more time or more presence, even when she quietly wishes for it.

Instead, she tells herself she knew what this was. She tells herself she should be grateful. She tells herself that wanting more would be unfair or selfish.

If she is honest, there are days she convinces herself she already knows her place.

That she is the body.
The softness.
The escape.

Something to be wanted in moments but not woven into the fabric of a life.

No one has to say it out loud. The silence fills in the rest. And in that silence, she assumes she is temporary. Useful. Replaceable.

So she folds the wanting inward.

If something stings, she smooths it over. If she feels jealous, she swallows it. If she feels unseen, she convinces herself she imagined it. She would rather adjust herself than risk asking to be met.

There is a particular sadness in believing you are not the kind of person who gets chosen fully. It shapes how she shows up. It makes her careful. It makes her smaller than she is.

She would never interfere with someone else’s life. She would never ask to be placed above what already exists. Even if some quiet part of her wonders what it would feel like to be chosen that way. Even if some part of her aches to matter beyond the moments that are convenient.

So she stays where she is invited. She accepts what is offered. She does not push at the edges.

And most days, she carries it quietly. The understanding that she can offer depth, loyalty, and devotion, and still believe she is only meant to be touched, not kept.

There is no drama in it. Just a soft resignation. A tender sadness that lives under the surface.


© 2026 Wynter Rayne. All rights reserved.

What Your Voice Does to Me

Your voice does something to me
that I cannot stop.

The moment it reaches me, low and certain,
my whole body reacts before I can think.

It settles deep in my chest first,
then slides lower, slow and heavy,
until I feel that familiar warmth spreading through me
pooling between my thighs,
making me wet before you’ve even touched me.

You say my name and it’s over.
A quiet command hidden inside it.
A promise.
A pull I feel all the way down to my core,
to my cunt, clenching around nothing,
already aching for you.

My breath changes.
My skin heats.
And suddenly I’m aware of everything.
The way I’m sitting.
The way my body shifts without meaning to.
The way I press my thighs together just to feel some friction,
some relief from the throbbing that’s started.
The dampness in my panties that I know will only get worse.

It’s not just the words.
It’s how you say them.
Measured.
Intentional.
Like you know exactly what they’re doing to me
how they’re making my nipples harden,
how they’re making me slick and swollen
and you don’t need to touch me to make me desperate for it.

I close my eyes when you speak sometimes
because it’s too much to take in all at once.
Your voice feels like pressure,
like hands I can’t see,
moving slowly over me
cupping my breasts,
trailing down my stomach,
spreading my legs,
pausing just long enough to make my pulse jump,
to make me whimper.

You don’t have to say anything bold.
Just speak.
Just let that tone drop lower,
let it linger at the end of a sentence,
let my name fall from your mouth like it belongs there.

And I feel it everywhere.
In my hardened nipples straining against fabric.
In the tightness low in my stomach.
In the wet heat between my legs.
In the ache that builds and stays,
making me want to slip my hand down and touch myself
just to ease it.

It’s intimate in a way that almost feels dangerous.
The way a single sentence can make me restless,
shifting in my seat, squeezing my thighs together.
The way silence afterward feels louder
because my body is still holding the echo of you
my clit pulsing,
my pussy clenching,
my skin flushed and sensitized,
waiting for more.

© 2026 Wynter Rayne. All rights reserved.

The Kind of Loneliness That Lives Within

There is a particular kind of loneliness that shows up on Valentine’s Day that doesn’t exist the rest of the year.

It’s quiet. Almost polite.

It sits beside you while you’re getting your nails done. While you’re standing in line. While you’re watching other people move through the world being chosen in ways that feel effortless.

You don’t cry because you want flowers.

You cry because no one thought to bring them.

And after enough years of that, it stops feeling like bad luck and starts feeling like a pattern. Like maybe there’s something about you that makes people forget. Or assume you don’t need the softness. Or believe you’re too strong to want the small things.

So you learn not to ask.

You learn to be easy. Independent. Self-sufficient. The one who doesn’t need much. The one who takes care of herself. The one who makes other people feel seen and held and important.

And people get very comfortable letting you be that person.

They come to you when they’re hurting. When they’re lost. When they need comfort. When they need understanding. When they need somewhere to put the weight of their lives.

And you hold it. Because that’s who you are.

But no one thinks to hold you.

So you sit there on a day that is loud with proof that people think of the ones they love. You watch men walk in with purpose. You watch women leave smiling. And something inside you folds in on itself just a little.

Not because you’re jealous.

Because you wonder what it feels like to be considered in that simple, instinctive way.

To not have to explain what you need.
To not have to hint.
To not have to make yourself smaller so you don’t seem “hard to buy for.”
To not have to pretend you don’t care.

It makes you question things you don’t want to question.

Am I too much?
Am I too complicated?
Do I make it hard for people to love me?
Or have I just gotten so used to being the one who gives that no one remembers I might need something back?

And the hardest part is this:

You’re not unloved.

You’re desired. Needed. Sought out. Wanted in pieces, in moments, in private spaces where you make people feel alive.

But being wanted is not the same as being chosen.

And sometimes, on a day like that, the difference feels unbearable.

So you cry quietly.
You wipe your eyes.
You tell yourself it’s not a big deal.
You remind yourself you’re strong.

And then you walk out into the world and keep being the person everyone leans on.

Because that’s your life.

And most days, you carry it well.

But some days, it hurts.

© 2026 Wynter Rayne. All rights reserved.

Ink Stained Soul

I do not leave blood behind when I hurt.
I leave paragraphs.

I have washed my hands a thousand times,
but the ink never leaves.

It settles into the creases of my fingers,
lives beneath my nails,
presses into the pads of my palms
like memory that refuses to fade.

Some people scream.
Some people break things.
I sit quietly and ruin paper.

Every ache becomes a sentence.
Every longing, a line break.
Every betrayal, a page I cannot throw away.

You could trace my life
not by dates or photographs
but by the stains left behind
on margins and torn corners.

I have bled in notebooks
no one ever saw.
I have healed in drafts
no one will ever read.

The ink knows things about me
no one else does.

It has held the weight of unsaid words,
caught the moments I could not carry alone,
absorbed what I did not dare let spill into the world.

And still it stays,
pressed into the lines of my skin,
quiet and permanent.

It never fades.
It never lets me forget.

© 2026 Wynter Rayne. All rights reserved.

8,760 Hours

A year is 8,760 hours.

I know this because I have felt nearly all of them.

Not evenly.
Not clearly.
But consistently aware of the space you occupy inside my days.

There were hours of intensity.
Hands.
Impact.
Kisses at the door.
Small talk that felt larger than it should have.

And then there were many more hours
where I did not know what any of it meant.

I never quite knew where I stood.
Only that I was still standing here.

You would arrive,
shift something in me,
and leave again
as if nothing had moved at all.

But it had.

I learned how to carry moments longer than they lasted.
How to replay tone, expression, touch
as if they could explain the parts you never said.

I told myself that quiet meant consistency.
That casual meant comfort.
That the way you came and went
was simply the way you moved through the world.

I never asked for more.

Not because I didn’t feel it,
but because I wasn’t sure it was mine to ask for.

So I let the hours do what they do.

I lived inside them.
I waited inside them.
I tried to understand my place inside them.

Some days I felt chosen.
Some days I felt convenient.
Most days I felt somewhere in between.

And still, those 8,760 hours mattered to me.

Because even without clarity,
even without definitions,
your presence shaped this year of my life.

Not loudly.
Not safely.
But undeniably.

I don’t know what this year was to you.

But I know what it was to me.

It was time spent caring quietly,
standing patiently,
and feeling deeply
without ever knowing if I was supposed to.

And that is the truth of these hours. I hope there is another 8,760 hours.

© 2026 Wynter Rayne. All rights reserved.

The Moon Sees What They Become

She rises swollen and solemn,
an ancient sentinel carved in bone and pearl.
Half her face cloaked in shadow.
Half of her watching. Always watching.

Clouds crawl like bruises across her cheek.
The stars hold their breath.

Below, in a room where the curtains gape
like parted lips,
a couple performs for no one—
and everything.

The woman is already bare when he steps behind her,
his presence the only warning she needs.
Not a word is spoken.
They have long outgrown words.

She bends forward slowly,
palms splayed on cold windowpane,
the curve of her spine a deliberate shape—
offering, invitation, display.

She does not close the curtains.
She never has.

She knows the moon is there,
her cold eye feasting,
her silver tongue licking the glass
between sanctity and sin.

The man’s hands find her hips like he owns them.
Like he’s claimed them before.
Like he intends to again.

And he does.

He presses into her,
slow at first,
a cruel tease meant more for the sky than her.
She gasps, but not from surprise.

This is ritual.
This is worship with skin and sweat.

The moon’s light splits them in halves—
gleaming skin and long shadows,
her breast reflected against the window,
his hand gripping her throat as he moves inside her.

She opens her eyes. Looks into the night.
Her moans fog the glass.
She spreads wider.

She wants to be seen.

Not by a crowd.
Not by a man.

By the night itself.

By the dark goddess above who sees all,
who has watched civilizations fall and kings beg,
but pauses now to watch this—

a woman unraveling from the inside out
on the altar of her own windowsill.

He takes her deeper now,
fingers bruising her skin in devotion.
Their rhythm is not frantic.
It’s hungry. Intentional.
The kind of pace that says
he wants the moon to watch.
He wants the stars to weep.

She reaches back for him,
nails clawing into his thigh,
hips driving back like she’ll swallow him whole.

He fists her hair, yanks her up—
her back arched, her breasts glistening in lunar fire.
His teeth scrape her shoulder.
She bares her neck like prey
and smiles like a weapon.

The moon does not blink.

She watches the moment he spills into her
and whispers something only the glass hears.
Something she doesn’t need to answer.
Something she already knows.

After, the woman presses a kiss to the window.
Lets the sweat cool.
Lets the night see her ruin.

Lets the moon see
what they’ve become.

Because this is what the moon is for—

To witness.
To hunger.
To hold the shame and sanctity of desire
in the cradle of her cold, wide eye.

She sees.
And she remembers.

© Wynter Rayne, 2026. All rights reserved.

Today

She realized today
there are two people in the same story
reading from entirely different chapters.

She is all open pages.
Margins filled with feeling.
Ink that runs heavy with thought, with hope,
with the quiet courage it takes
to let someone see you.

He is a closed cover.
A book with a good heart inside,
but clasped shut.
Spine uncracked.
No matter how gently she presses her palms
against it, she is never getting in.

Each day she tries to soften into her affection,
to let it be natural, unguarded, real.
Each day he steps past it
as if it were furniture in a room
he has no intention of sitting in.

Not cruel.
Just unseeing.

And every time her offering goes unnoticed,
she folds a little smaller.
Retracts a little further.
Tucks the tender parts of herself back
into places he will never have to acknowledge.

Today she stopped trying because rejection hurts too much.

Because she has learned the pattern.
When she inches toward something deeper,
toward the place where questions might live,
where vulnerability might rise, he redirects.

Back to the body.
Back to the heat.
Back to the place where she is easy to hold
without ever being truly known.

So back in the box she goes.

Not because she wants to.
But because it is the only version of her
he seems comfortable with.

And if that is where he keeps returning her,
to heat without depth,
to touch without seeing,

Then that is where she will remain.

Because she understands now
it is not her heart he reaches for,
not her thoughts, not the fragile places she keeps offering.

It is her body.

The part of her that requires no acknowledgment.
No conversation.
No vulnerability.

So she will live there. A vessel in action only.

In the only role he consistently recognizes.

After all, that is what she is good for.

© 2026 Wynter Rayne. All rights reserved.

Almost is Exhausting

She keeps stepping forward with careful hands, as if even the air might bruise.

There is always an offering. A word held out. A gesture folded neatly, like a note passed in class.

It is received with a smile that tilts sideways, turned into laughter, lightened, lifted out of the seriousness she meant for it to carry.

Sometimes a window seems to open. A few careful words pass through. For a moment, it feels as if something real has been let in.

Then the window is slammed shut. The shades pulled tight. A joke is made of what was said.

She is left standing there, holding the weight of it, feeling foolish for believing the care might reach beyond what he takes.

She learns to nod along. To pretend the joke was mutual. To tuck her meaning back into a pocket before it embarrasses them both.

She reaches often. Further than she should. Further than she intended.

Each time believing this will be the moment her intention lands without being turned into something smaller.

But she is gently returned to her place. Not unkindly. Not cruelly. Just accurately.

As if someone is always adjusting the frame to remind her where belonging sits in the picture.

She is never told she is wrong. Only shown she is too much. Too earnest. Too literal. Too hopeful with her words.

So she practices shrinking the weight of things. Practices saying them lightly. Practices pretending less was meant all along.

Still, she keeps trying. Still, she keeps offering.

Because hope is a habit she has never quite broken.

But almost is exhausting.

And somewhere inside the quiet of her chest comes the knowing: she is never going to be what she keeps reaching toward.

So she learns to hold her hands a little closer to herself.

© 2026 Wynter Rayne. All rights reserved.

What Remains Unseen

The world does not know
there is anything missing.

Something exists
outside the frame,
unlit,
unremarked,
never counted.

In the visible hours,
everything appears intact.
Attention circulates freely.
Admiration has room to wander.
Nothing seems withheld.

There is a version of freedom
that requires an audience.
It is light,
performative,
easily mistaken for wholeness.

And there is another.

It does not announce itself.
It does not interrupt the day.
It waits until no one is watching
and then becomes necessary.

It is not named.
It is not claimed.
It is not meant to be found.

This is where excess goes.
This is where appetite rests
when it does not wish to be seen.

The world praises what it can recognize.
It never asks what makes the balance possible.

And so everything appears complete,
while something remains
deliberately
out of sight.

© 2026 Wynter Rayne. All rights reserved.